far off police sirens are ringing
on the third day back at home:
proof of a life lived in analogue--
i’d made out these ruins
from an aerial view
& they seemed
either a sculpture or a tomb
it takes a short afternoon
to drown with you in decades of
superstitious junk—those ancestors
once seemed so gigantic,
each one a gothic ceiling
but the arc of your eye sets the limits--
we’ll just try to keep dust
out of our meals, & off the path
toward a conversation
let the clocks unite the world as they will:
our atonement is probably
a job for tomorrow
on the third day back at home:
proof of a life lived in analogue--
i’d made out these ruins
from an aerial view
& they seemed
either a sculpture or a tomb
it takes a short afternoon
to drown with you in decades of
superstitious junk—those ancestors
once seemed so gigantic,
each one a gothic ceiling
but the arc of your eye sets the limits--
we’ll just try to keep dust
out of our meals, & off the path
toward a conversation
let the clocks unite the world as they will:
our atonement is probably
a job for tomorrow
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Barnaby Smith is a poet, critic, journalist and musician living on Darug and Gundungurra land in New South Wales, Australia. Recent work has appeared in journals or anthologies such as Stand, Blackbox Manifold, 3AM, Best Australian Poems, Tentacular and Ranger, as well as Cordite, Southerly, Australian Poetry Journal, Australian Poetry Anthology, and more. He is a PhD candidate at the University of Sydney.
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